Review: Jitterati collection (2009)



Jitterati is Grant Buist’s strip comic of life in a cultured, coffee-drenched festival-heavy Wellington. It runs every week in the free local paper the Capital Times, and in Grant’s own words it tends to go like this.
I have a lot of love for Jitterati, no doubt because I am a coffee-drenched festival-going Wellingtonian with pretensions to culture. It speaks my language and talks about what is going on around me, and that’s cool. More than that, it’s important; we need media content that reflects our local environment or something in the feedback loop between person and community starts to break and you end up with the weirdness of everyone using packaged American culture as their reference point (as everyone who remembers the 80s and 90s will no doubt attest).
(Since this is a review, it’s also worth pointing out that I have known Grant for years, although for most of those years our relationship has been stable at the “say hello to each other on the street” level. And I’ll send him a link to this review. Hi Grant!)
I picked up a copy of the collected edition at Zinefest last year (along with a few other treats that I really should blog about too). It covers the complete run of Jitterati from its launch in 2001 through to 2009, reprinting about 75% of the strips (complete with marginal notes to explain the many, many topical references), as well as several short text pieces talking about stories from behind-the-scenes.
It’s a handsome A4 collection with four strips to a page, black-and-white interiors (with lovely print quality that makes full use of grayscale), and a card cover with colour spot illo. The title of the book was apparently stained on with coffee, which is a nice touch. Nicer still is the CD in the back, which contains the full run of the strips in colour, and two short films.
The Zinefest edition also came with some free Havana Coffeeworks coffee, which I finished off the other day. Lovely.
Grant’s art is extremely polished, as you’d expect after a decade-and-half of solid cartooning. He’s become extremely comfortable with the four-panel format, making good use of the limited space in every panel and getting lots of physicality and geography out of a strip that is basically three characters sitting around a table. Around the middle of the decade the strip acquires the photographed backgrounds that are now its trademark, and the mix of photographed background and illustrated foreground works beautifully to give the strip a nice sense of place. (It reminds me a bit of Herge’s Tintin, which used stylized clear-line character drawings set against highly detailed and realistic backgrounds and made them work smoothly together.)
The collection shows an increasing comfort with the four-panel gag strip format, too, with a good mix of gentle fun and outright cynicism. Lots of jokes about local politics and the theatre and arts scene, and now and then some variations from the standard patterns to mix things up.
I really enjoyed reading through this collection – as a tour of Wellington’s noughties culture, it carries a surprising amount of heft and is very enjoyable read as a bundle. The best part of this for me was reading over the years when I was in Edinburgh, and getting a nice cafe-level view of what was exercising Wellington at the time. (The controversy over the braying portaloo had somehow passed me by!)
So – I recommend it, unreservedly, to Wellingtonians. Inner-city latte-sipping theatregoers should get hold of copies and sit them on their coffee tables. Every cafe in town should purchase a copy to keep with their reading material. This strip is a mix of pop-art and journalism and it’s funny and it’s ours, and I give it a hearty thumbs up.
If you want to get one – well, they’re out of print at the moment but Grant informs me he’s doing another run in time for Armageddon Pop Culture Expo at the start of April. You can reach him through his blog and ask him to write your name on a list or something.
(Aside for any non-Wgtners who’ve come this far – does your town/city have a comic strip about what’s going on there? I’m curious…)

Unexpected world


This is the poster for Steven Soderbergh’s 2009 movie The Girlfriend Experience, starring Sasha Grey, who works in the porn industry.
At this link she can be seen playing D&D with a bunch of other people from the porn industry. (All links are totally safe for work, btw.)
The blog Playing D&D With Porn Stars, and the D&D game described therein, are run by Zak Smith, who also illustrated every page of Gravity’s Rainbow. The D&D w/ Porn Stars blog is an excellently thoughtful and creative blog that is closely tied to the Old School Renaissance that has hit D&D since Gygax passed away, with James Maliszewski’s blog Grognardia as its totemic centrepiece. (Grognardia is here described briefly on the blog of Seattle’s alternative paper The Stranger).
Zak Smith and some of his players recently got into an honest-to-blog feud with a gaming podcast, said podcast being more attuned to the Story Games RPG community, which is kinda the hipster end of gaming but without the irony. Substance of feud: story games people didn’t give due respect to the breadth of Zak’s gaming knowledge and understanding.*
Point being: culture is fragmenting as the potential for internet communication to create asynchronous non-geographical communities beds deeper.
Or, more succinctly: porn stars just battled elite role-playing game nerds over geek status. You’re not living in your father’s culture any more. Heck, you’re not living in your older brother’s culture any more. The world is getting weirder and wilder all the time.
That’s a feature, not a bug, by the way.
* Feud since resolved.

Linky for the Housetrained

Some Friday Linky for you:
Indulge your vertigo: 12 dramatic views looking down.
A surviving audio-free clip from Dead Bart – the infamous lost episode of The Simpsons with a “hyperrealistic” section:

(Dead Bart of course doesn’t exist; it seems like it was a myth made up whole-cloth in the dark depths of the internets, i.e. 4chan. Google it and see if you can find anything. Don’t know where this clip comes from really, a Spanish show maybe?)
Dogs love to sing the Law and Order theme.
Cognitive Fluency, i.e. our tendency to assume that easy = true. (via Blaise some time ago.)
Vice mag interviews the guys behind the Fighting Fantasy books. Awesome, and I love the photo.
Video of a wild 20-minute presentation at DICE that gives a pretty compelling and deeply freaky vision of what is coming – the integration of video-game logic into all human activity. I don’t buy everything he says, but surely a big chunk of this is inevitable. Earns points for figuring out before Bruce Sterling that spimes are a game platform.
The ‘Gator talks briefly about his trip to NYC here, but the highlight is this wonderful essay about one epic dining experience. For serious food lovers, and anyone who wants to know how serious food lovers see the world.
I’m with Matt Colville – why hasn’t there been a book about Jodorowsky’s never-completed film adaptation of Dune?
And speaking of film adaptations of Dune, here’s Brian Herbert and David Lynch on video together.
AV Club interviews Alia Shawkat from Arrested Development which is kinda interesting, but the best bit is the video at the end where Shawkat is in a very home-made video cover of Don’t Stop Believing with Ellen Page (Juno, Whip It) and Har Mar Superstar of all people. And it’s terrible of course, but I don’t care because they made it for Ellen Page’s mum who was retiring. Totally goofy and kinda charming.
So apparently Selleck Waterfall Sandwich is now a category of things on the internet now – Pearce just heads-up’d me to Bea Arthur mountains pizza.
A poem by Clive James, via Garrison Keillor: The book of my enemy has been remaindered
Predator dance troupe on the set of Predator 2, guest appearance by Danny Glover. That movie is under-rated, but this would have made it even betterer.
And finally… Russian (?) commercials from the 80s!

Hands off our dial!


Just back from a protest outside Parliament to protect Radio NZ, our public broadcaster. I figure about 150-200 people there, which isn’t bad for a protest pulled out of nothing on Facebook by a guy in Hamilton.
Here’s the Facebook group, with nearly 15K members as I type.
Here’s the campaign page, Hands off our dial, just launched this morning with snazzy petition to sign.
If you’re a Kiwi I reckon you should give this some support. Russel Norman said it best at the protest today – what we’re really trying to protect is our democracy, because a functional and fair democracy is only possible with a strong public-owned media.
Get involved.

nef: A Bit Rich


Finished reading the report that was in the last Friday Linky about comparative pay levels. Quality-wise it’s a mixed bag, but I appreciated it, so here’s some more thoughts.
The report is called A Bit Rich and it’s by the new economics foundation or nef (the lower-case is deliberate, frustratingly). The report is short and easy-reading, and it weaves together two strands.
First, busting myths of pay and value. The report works through ten myths surrounding pay levels for jobs, and dismantles them. The myths they attack include: “The City of London is essential for the UK economy”, “We need to pay high salaries to attract and retain talent in the UK”, and “The rich contribute more to society”.
The mythbusting is set about with vigour and usually follows the same pattern – a common-sense argument bolstered by a reference to one or maybe two pieces of supporting research. It isn’t rigorous argument, but it’s effective rhetoric because of the conflict between the common-sense argument and the myth. Take, for example, Myth 6: “The private sector is more efficient than the public sector”. This is certainly a belief that is widespread and often taken as inarguable. WikiAnswer states it baldly: “Generally the private sector is more efficient because efficiency means lower cost and more profit. The public sector doesn’t have to worry about profit so there is no incentive to be efficient.”
The common-sense argument nef gives in response simply points out that lower costs have their own price. They give the example of hospital cleaners, where profit-incentives lead to reduced cleaning quality which leads to negative health outcomes. So, efficiency measurements are misleading unless social and environmental outcomes are included. There’s nothing complex about this point, and it’s not even a new point, but it’s bracing to see it laid down here in simple language. It isn’t going to convince anyone to change their views if they have really thought about the issue, it simply doesn’t have the firepower for that, but for people who haven’t reflected on this it’s a kick in the pants about accepting received wisdom.
The other strand of the report is the case studies. Six jobs are evaluated using the social return of investment methodology, and their value to society is compared with their salary range. The jobs are deliberately chosen to be provocative, with three high-paying low-social value jobs and three low-paying high-social value jobs. Predictably, these produce deeply troubling results. City bankers destroy £7 of social value for every £1 of social value they generate, and are paid enormous sums for the privilege; childcare workers produce a net gain for society, generating £7 of social value for every £1 they are paid. The appendix discusses how these calculations were performed, and it’s not exactly rigorous. For example, the whole financial crisis and recession is laid at the feet of the City bankers and counted against them. Another example: estimated tax avoidance (to hold against the tax accountant) is referenced to some guy’s blog, and not even to a specific post on that blog.
Again, though, while it isn’t rigorous it does work as effective rhetoric, providing a clear framework for talking about how value in society works and how it is rewarded.
The main point of the report is to argue that pay disparity in the UK is far in excess of what is warranted by any reasonable metric, and to put on the table a maximum wage to balance out the minimum wage. This last idea strikes me as particularly pie-in-the-sky thinking; a legislated maximum wage is almost inconceivable in a developed capitalist country, and even if there was political will it seems unenforceable. I do, however, like the suggestion of a maximum appropriate pay ratio within an organisation, limiting the possible disparity between highest and lowest. Such a measure could only be adopted by the organisation itself, but I think it’s something interesting to talk about.
Ultimately, I enjoyed reading this report, for all its shonky under-analysis. Partly that’s because it fits my preconceptions perfectly, big ol’ lefty that I am. Partly because I think it puts an engaging and readable case on the table for reducing economic disparity within society. This is becoming a more prominent argument recently, largely thanks to Wilkinson and Pickett’s book The Spirit Level: Why More Equal Societies Almost Always Do Better. There’s definitely a move in leftish circles towards perceiving financial inequalities as problematic in and of themselves. New Labourite Peter Mandelson’s famous comment about being “intensely relaxed about people getting filthy rich” has become even more problematic in hindsight.
Further, this report clearly signals the interconnectedness of the problems facing society. Economic disparity within and between communities, environmental degradation, failed governance, and the like are all joined. Like a cats cradle, when you tug on one string you inevitably find yourself tangled up in others.

Sherlock Holmes (USA/Germany, 2009)

Yes, I don’t know either why this is a USA/Germany production, but that’s what it says on IMDB.

Cal and I watched this the other day, on account of hearing consistently good reports about it, including from Mark Kermode and Simon Mayo’s movie reviews (which I discovered thanks to my recommend-me-a-podcast post). My expectations still weren’t high, on account of (a) big blockbuster action fillum (b) jude law (c) guy ritchie, but I figured that at the very least it’s always fun to watch Robert Downey jr.
It was fun! I just loved the dialogue, which raced along without drawing attention to how clever and effective it was. The cast clearly loved it, treating every line like a favourite toy. Beautiful work, really engaging, put a smile on my face.
Negative: the action scenes were as exciting as watching someone else play a video game, i.e. not at all. Thankfully there weren’t that many of them, and the rest of the time I got to revel in the fun of characters being sarcastic to each other.
I’m not even remotely a Sherlock aficionado, but I understand this portrayal of the character is relatively faithful, if rather more of an action hero and rather more of a charmer than the literary version. Importantly, this was a Holmes who was decidedly unsafe, which is an aspect of Holmes that struck me in the stories I did read and which was decidedly absent in other big-screen versions. Watson not being a buffoon = also brilliant; see this fantastic strip by Kate Beaton who you really should be reading by now anyway.
I was pleased, also, that the chemistry between Holmes and Irene came off with a decided imbalance. Holmes seemed fascinated by and powerfully drawn to her, but I didn’t get the slightest sense of romantic interest from him, whereas Irene clearly just wanted to rip his trousers off every time she was in reach. How much did Downey Jr. play out the suggestion he mentioned to such controversy, I wonder? Gay subtext or not, Holmes was never a figure of love and romance, so this was all quite acceptable.
Worth a watch, but the big-screen explodo is unengaging – wait for DVD, I reckon.

New Necklace


Beware my giant gnashers!
This is my necklace. If you’ve seen me about recently you might have noticed it hanging all sparkly-like around my neck. Cal commissioned it for our first wedding anniversary – she sees it as the boy version of her engagement ring. It’s lovely and sturdy and I’m very proud of it.
The necklace was made by Chris Cole of Chris Cole Jewellery, who also made our wedding rings. CCJ is a great little new business in Wellington – I love Chris’s work (and his attempts to popularise a brooch for men, the bro-ooch).
If you’re in Welly next weekend, you probably already have the Saturday 27th Mt Victoria Inner City Festival on your calendar – when you’re there, keep an eye out for Chris and Anne of CCJ. They’ll be right at the centre of things, on Roxburgh St, just up behind the Embassy theatre.
Thanks Chris for the amazing craftsmanship!
Thanks Cal for the amazing gift!

True Linky For Friday

I really enjoyed this funny and spirited takedown of Taylor Swift, wholesome singer/songwriter, winner of lotsa music awards, the one who Kanye generously let finish. Nail-on-head moment: “This is perhaps her music’s most grating sin: the sex-shaming girl-bashing passed off as outsider insecurity.”
Bryan Talbot’s Torquemada comic-format pick-a-path from oddball 80s comic/game hybrid Diceman, online in animated form.
A research report from the new economics foundation in the UK that develops a new metric for evaluating the worth to society of various jobs, and concludes that “Elite City bankers (earning £1 million-plus bonuses) destroy £7 of value for every £1 they create.” I’m only about half-way through the report itself but recommend you at least click through for the summary.
Incredible model photography.
Check out this game by friend-of-FromTheMorgue Matt C: Scrambled. Guide a robot through a tricky environment. Anyone who has played the boardgame Robo Rally will grok this instantly. Neat fun!
How-to guide to falling out of a plane and surviving
Infographic that powerfully demonstrates the depth of the ocean.
Infographic that powerfully demonstrates that it’s an infographic.
Yes, the 90s really did suck a whole lot: Alien 3, the Pepsi commercial

One of the things I like doing after a Friday linky is scanning the departures. I feel happy when it shows that every linky had a few people check it out. But last week there were no recorded clickthroughs on the enigmatically unexplained linky Boomdeyada. So here’s the explain: Discovery Channel made an amazing promo featuring all their scientist-types singing about what is cool about the world. Then lovely webcomic XKCD made a comic version giving props to the Discovery channel. Then someone else made an animated version of the XKCD comic. Then some other people made a new version of the song about how they love XKCD. It’s wicked. Watch all of them. And yes, that last one includes a few famous folk, at least famous in geek-type circles.
And finally… a blog devoted to analysis and discussion of men wearing gorilla suits

This One Dream I Had Once


(Found this described in the 1999 journal – March 20th. I know, I know, other people’s dreams are not interesting. I’m writing it up anyway.)
I’m in an elevator, wearing nothing but a length of tin foil that doesn’t quite go all the way around me. I realize I’m on my way to have one of those dreams where you’re standing in front of a group of people and you’re pretty much naked.
With me in the lift is a burly guy with a brown goatee, wearing only a narrow blue towel around his waist. I realize that he is on his way to his own version of the same dream.
We nod at each other.
He is wearing underwear under his towel. Seeing that my dignity is in an even more perilous state than his, he offers the underwear to me.
I am touched by his generosity, but politely decline the offer. I just couldn’t take a man’s underwear when he was about to have a dream like that. It wouldn’t be right.
The door opens. We head out in separate directions.

Podcasts

So, using my borrowed iPod, I’ve been dabbling in the world of podcasts for a while now. I like ’em because they fill up my walk to work nicely, and I don’t need to invest in good headphones to get a good experience.
I’m liking This American Life, of course. Dabbling in Adam Corolla, RadioLab, and Kermode’s film talk.
What else is good for listening? Make recommendations in the comments, if you are so moved.
[Just noticed my spam filter caught Derek’s comment – don’t panic if your comment doesn’t appear, I might have to extract it before it’ll display]