So if you’ve watched TV or been on the internets lately, you’ve seen the footage of Miss South Carolina give a rambling nonsensical answer to the question, “Why can’t so many Americans find the USA on a map?” Whole lotta people have jumped in to mock and ridicule. It’s become an “internet sensation”. Heck, do we still have beauty pageants? What a bunch of ditzes those girls are!
But I can’t join in on the mockery, because what I see isn’t a girl with a pea for a brain, but a girl completely blanking on a tricksy question in a high-pressure situation and just talking through it anyway. And I sympathise.
That question is a hard one to answer. Put yourself in her shoes. You’re a contestant in a beauty pageant. You have to formulate, with not more than a second’s thinking time, a response to a politically dangerous query. Your response must at all costs avoid offending anyone, because this is a beauty pageant. You go to your training – open with one of your stock phrases while you try and figure out what else to say and how to say it – and *blam*. Your mind just goes blank. I’ve been there. Haven’t you ever been there? Hey, you’re on international TV and its the biggest moment of your life, no pressure!
She blanks out. But she’s been training for this for years, and what does she do? She goes to her training. At all costs, keep talking. Do not shut up. Speak. Say something, anything at all. And so she does, and what comes out of her mouth is mostly nonsense, but hell, at least she went for it!
I mean, I’m not saying this girl is a genius and we must respect her enormous intelligence. All I’m saying is, cut her some slack, willya, mockers of the world? There were extenuating circumstances. (And heck, I for one think “Because many Americans don’t have maps” is actually a pretty savvy answer to the question.)
Her name’s Caitlin Upton, by the way, and she’s 17 years old.
So, what say you, blogosphere? Am I just an old soft-hearted fool? Does Miss South Carolina deserve everything that’s coming at her? Is this just a bit of harmless fun?
And am I a hypocrite for all the times I’ve made an “O for Awesome” crack?
After The Funeral
Jim’s funeral was on Saturday morning, spilling into the afternoon. It was a hot and sunny day, first day of Spring, and the church was packed. Many firefighters in attendance, and I think four appliances. There was a movie played to start the service, the Lone Ranger theme and then Sinatra’s My Way over photos tracing the whole course of Jim’s life. Three eulogies were given, all of them incredible – funny, sincere, heartfelt. stronger_light shared one of the eulogies with one of her sisters and was amazing. The lead celebrant was an old, old friend of Jim’s, and his close connection and gave the ceremony a deeply personal tone. To close, we drove in cortege to the cemetery, led by the fire service, who had stationed officers to close off traffic as our train of cars went past. As the hearse carrying Jim went by, the men on traffic duty stopped paying attention to the traffic and stood at attention. At the cemetery in the centre of Hastings Jim was lowered into the ground, and then the grave was filled. Everyone took up a shovel to help, brothers, son and sons-in-law and me, cousins, firemen, workmates, friends. When the last of the rocky soil was deposited on the pile, the assembled people left. We went for cups of tea and conversation at the church hall.
It was the conclusion to a week in which everything was pointing toward this moment. The family was carried along minute to minute and hour to hour and day to day by a constant stream of actions, small decisions, arrangements and requirements. All of those little things somehow added up to a process, more than the sum of its parts, which prepared everyone to say goodbye.
I think it was the same with the months prior, as the whole family, Jim included, went through the multitude of actions that went into diagnosis, medical treatment, care at home. Somehow these also added up into a process of farewell.
I don’t think I’m remotely doing this justice, but it’s a fresh experience for me and I wanted to write something of it while I still can’t think about it properly. One thing I know for sure: for me, these months and this weekend have been life-changing.
I’m back in Wellington now, but my head and heart are lingering up in Hastings. Much love to all my family up there.
Jim
Don’t know when she’ll get to blog again, so let this put the word out: Cal’s dad Jim died very early this morning. It was the end of a difficult journey.
Fate dealt the cancer to Jim, and none of the family had any choice in that, but everyone could choose how to respond to it: with dignity and humour and love. (Along with frustration and sadness and anxiety, of course. When someone you love is leaving, it hurts like hell.)
I’ll be heading up to Hastings shortly to be with everyone, so expect radio silence here for a while.
Friends My Blog
Some additional linky from the weekend that I am compelled to share:
Maupuia Masala mediawatches coverage of the Hyderabad explosions.
Judge and Jury presents some extremely dubious evolutionary pop-psychology for your evaluation. EDIT: LINK FIXED.
Robert Fisk singlehandedly pushes 9/11 conspiracy questions a few rungs up the legitimacy meter.
The Tall Man musters a list of key sites for factchecking the environmental record of corporations.
And how the heck did I not know Aliens vs Predator – Requiem was coming? That’s a link to the IMDB page; a bit of searching will uncover the trailer, which in three and a half minutes features more gory onscreen deaths than you saw in all of the other Aliens and Predator movies combined. The premise: the titular monsters come to a contemporary town in the midwest of the USA and kill lots of people. So, yes, it will suck; but the question is, how much will it suck? And will I go and see it regardless like I did the last one?
Friday Linky
I has srs linky: the indispensible Digby provides “It’s the Blacks”, a fantastic overview of the way the media played out the Hurricane Katrina story. Remember all those accounts of wild, looting gangs that were making people fear for their lives? The ones that led to the Red Cross being forbidden to go down there for safety reasons? Well, turns out these accounts were… less than accurate. Go read and find out just how much the story you know doesn’t match what really happened there.
Other linky:
An EC Shock Suspenstories called “The Monkey” about the perils of the reefer! Check it out and get your lingo up to date: “Hey Eddie, c’mon along! Me and some of the gang are going to blast a few of these!” “What are they, Sid?” “Pot grass butts, you square! Don’t you pop this stuff yet?” “MARIJUANA?!” “Cool it you jerk! You want to get me twisted? Some narc may be pinning us!”
Also on the comics tip, if you know that ROM was from Galador, you must not miss the ISB’s ROM-week.
Finally, via the other moose, I give you Giger Alien Salad.
Assignments, Iris, Rumpus, BRCSS
I’m busy marking, so this will be short.
The Women / D&D post has fed into a bunch of useful discussion, particularly over at Iris. Of particular interest there is the arrival of one of D&D’s Associate Brand Managers, keen to tap into the wisdom found there. It cheered me up 🙂
Rumpus plans continue apace. I think the website is visible now to all but me. Damon’s computer took my computer’s lunch money.
Also, I has a moneys. The eager will find a description of my research if they follow the link and search around on the other side. Thanks, BRCSS, I’ve never been a recipient of any funding before and its kinda neat.
Rumpus 07
Rumpus 07 will be the party of the year.
Rumpus invitation with full details
The above link works, but as of this writing, there are some problems with getting to the party page itself – bear with us.
Rumpus 07 on Facebook
Roundup of last year’s Rumpus 06
In Achewood the Rumpletron is a Fiesta Wheel
Encouraging Women: How Not To Do It
As most of you will know, I’m a big ol’ role-playing game geek. I love it all, from the cheesiest old-school Dungeons & Dragons experience to the most cutting-edge slice of indie goodness. I’m also what my buddy Dave Wright calls a “community builder” (he’s one too) – and building communities to support my hobby, and in which my hobby can thrive, is really important to me.
This includes thinking about demographics. The RPG hobby is overwhelmingly white and middle class and, the subject of this post, male. I’d estimate about 4 in 5 RPG gamers are men. This isn’t a problem in and of itself – if women aren’t into playing RPGs, then that shouldn’t bother anyone, right? The problematic aspect is that we’re not dealing simply with free and informed choice. There are, in fact, barriers to participation for women. And I consider the existence of barriers around my favoured hobby to be offensive.
All of which brings me around to this weekend just gone. At Gen Con, the big RPG dance in Indianapolis, Wizards of the Coast announced that there will be a new edition of D&D next year. This is big news, with major ramifications for the RPG hobby industry. As part of the roll-out of this news, Wizards set up a special messageboard with a bunch of pre-set discussion threads, ready and waiting for fans to come in and discuss, cheer and complain. Just before the launch I’d seen a preview screengrab of the page, which had one line that interested me: a thread called Astrid’s Parlour: A Haven For Women Gamers. My community-building brain switched on – this was a sign that WotC, the company that makes D&D, was taking a positive step to lower the participation barriers for women. If nothing else, one of the barriers is that walking into an environment obviously dominated by the other gender can be intimidating; this thread would be a big flag removing any doubt about whether women were welcome there or not.
As I posted on Gametime, it didn’t go well.
I quickly realised that I had forgotten something important: aggrieved guys with internet connections… [It is] notable for being the most heavily moderated thread I’ve seen on a WotC forum. Dozens of posts have apparently been deleted, and every dozen posts a moderator turns up to say something like “Will people please stop being sexist idiots?” A game attempt on the first page to get some positive discussion going (“I am a guy. Women, tell me the story of how you got into gaming.”) garnered some neat responses which were rapidly drowned out by the bleating, pooing, whining masses.
After about twelve hours of this, the thread was pulled entirely from the site with no explanation. It had been a complete trainwreck. Obviously, because it’s gone you can’t view it – but essentially it was lots of guys saying “why do we need a special thread for women? this is inappropriate! where is the special thread for men?” “why do women need a special hiding place, that’s sexist, they don’t need your protection” etc. etc. etc. All the usual stuff. The moderators said that it was meant to tie in with an upcoming book written by a woman gamer about getting into D&D (Confessions of a Part-Time Sorceress), but because that book hadn’t been released many commenters felt entitled to question and ridicule and attack the existence of the thread. The subtitle, A haven for female gamers, was forgotten in the chaos.
It was not a good look. I felt very sad, to be honest. The thread was dogpiled by aggressive messages questioning its very existence, the vast majority from men. Women who posted their support for the idea were absolutely drowned out by the massed negative response. Somehow, the very existence of this thread was offensive enough to rouse these masses into action. Thinking about it now, I’m not sad any more. Instead I’m kind of nauseated.
Look, here’s the thing: if a minority group in your community says, “hey, maybe it’d be nice if we set up some kind of haven over here”, and even if you think it’s unnecessary, would you really stomp on over there and loudly insist that it be taken down? Surely, as the majority, you’re not the right person to say whether a haven is needed or not? And what does it matter to you anyway? How exactly does it hurt you that this group has a haven somewhere?
Arguments over “womens rooms” at university campuses always go a bit like this, but at least in those cases there are actual resource issues at stake – money from a student pool is being directed at one section of the student body. In this case, all that was at stake was one one-screen link – and this as part of a free service, to boot.
In any case, a few hours ago the thread was resurrected in new form. You can find the new thread here. It has had a significant change. The title is now Astrid’s Parlor: Ways to Support Female Gamers.
“A Haven For Female Gamers” has become “Ways to Support Female Gamers”. The first was clearly intended as a female-friendly space. The second… well, the title seems to imply that it’s meant for male gamers to discuss ways to support female gamers. It just seems like a horribly misjudged title.
Stepping inside, we find instructions to “Use this thread to discuss the interiew [about Shelly’s book], Shelly’s book, or your ideas on ways to encourage and support female D&D players.” And following that, a whole lot of men saying that female gamers don’t need any support, so what is the purpose of this thread anyway?
The thread starts with a link to an interview with Shelly Mazzanoble, author of Confessions of a Part-Time Sorceress. (Interviewed by her fellow gamer Sara Girard.) In the interview, the subject of the discussion thread comes up (around 5.10 to 5.38):
In response to a question about where women can go if they are interested in finding out how to get into D&D or to increase their knowledge and involvement
“Check out the messageboards, there should actually be a forum for women up there [now]… Men can be on there too, but there should, there really should, there is a place for women to just get on there and ask these questions and find out how to be involved and get support from one another, and hopefully people like you that have experience in gaming or working in the industry can get on there and respond to some of that or I can use my experiences… We can all just be out there to support each other.”
“Do you think that women need a special forum just for their gender, or…?”
“No, I don’t think it should ever be a gender specific thing, but I think that women might feel like they’re not being supported in this community or in this industry, so it might be nice for them to feel that there is a place that people are listening and we want to know what they’re feeling and what they’re thinking and what they’re interested in.”
I think that when Mazzanoble, and Girard, see what happened on the messageboards while they were at Gen Con, they’ll be very disappointed indeed. And they’ll be right to be disappointed – in WotC, in the people who dogpiled the thread, and in the gamer community at large that seems so complacent and ignorant.
Botttom line:
- The people who dogpiled the thread should have refrained from doing so.
- WotC should have given their moderators a clearer idea of what the original thread was for, and should have instructed that anyone questioning the value of the thread gets bumped into another venue.
- The moderators should have been vigilant in pushing criticisms of the thread out of the thread and clearing space for it to actually be a “Haven for female gamers”.
- WotC should not have restored the thread with a new, “less controversial” title.
- WotC should not have pulled the thread in the first place even if it was a trainwreck.
All of these failures add up to a big unpleasant situation. I will be watching with interest to see where this goes from here, if anywhere. It all serves to tarnish the 4th edition launch for me; which is a shame, because it sounds to me like 4th Ed is going to deliver the goods.
Top Ten Casting Choices in SciFi/Fantasy (2)
This is a continuation of Friday’s post on the top ten casting choices in the history of SciFi & Fantasy film/TV. That post garnered some great comments and some very worthwhile suggestions, not one of which has altered my top five.
5. Judy Garland as Dorothy Gale
Wizard of Oz was a flop on its release, but went on to become one of the most-watched films of all time. Its vocabulary (the yellow brick road, “There’s no place like home”, flying monkeys, the green-skinned witch, the “Over The Rainbow” song) has become thoroughly embedded in the world. The film is part of the grand heritage of Western culture, far overshadowing its source material. Would it have been such a success with first-choice Shirley Temple in the role? Then ten years old, Temple was lined up for the part but inter-studio wrangling killed the deal. After a few other actresses were considered and discarded, MGM settled on one of its reliable second-stringers, Judy Garland. At 16 she was much too old for the part, but they taped her breasts down and relied on her girl-next-door looks and got the thing done. As part of the bargain they ended up with Garland’s distinctive singing voice, and her ability to convey great emotion through song. That singing voice made the movie work.
4. Buster Crabbe as Flash Gordon
Buster Crabbe was a genuine all-American hero, with an Olympic gold medal for swimming and the kind of handsome good looks that belonged on big screen. His athletic attributes got him a role as Tarzan, and that in turn led to casting as Flash Gordon in Universal’s new serial of the same name. Universal took a chance on the first (1936) Flash Gordon serial, which was the most expensive serial production ever made by a studio, and they were richly rewarded – it was an enormous hit. Two sequel serials followed, and in both Crabbe reprised the role. He was the right man in the right place, and the world responded. Science fiction on screen would never be the same again.
3. Harrison Ford as Han Solo
Ford had a key role in George Lucas’ American Graffiti, but Lucas was not interested in casting him for his upcoming science fantasy opus. However, Lucas did bring Ford in to read at the auditons of other actors. The story goes that Ford’s frustration with being frozen out, and with the turgid dialogue, made his line readings progressively more surly and acerbic as the session went on until Lucas’ compadre Spielberg realised that Ford would be perfect for the cynical Han Solo. He was; his grumpy anti-hero anchored the first movie with a genuine sense of mean, some finely delivered comedy, and astoundingly good chemistry with a walking carpet. Without someone of Ford’s calibre in the Solo role, the Star Wars films would have struggled to win us over. But with his bragging space rat on the scene, we were helpless.
2. Patrick Troughton as the second Doctor Who
The BBC’s most successful dramatic children’s TV programme – an unexpected success drawn primarily from the popularity of the Dalek monsters introduced when another script didn’t come through – was running into trouble. Ratings were starting to drop, it had never really transitioned to proper family entertainment, and most crucially, the actor who played the titular character was unwell and getting worse by the week. His performances were erratic and filled with line fluffs and it was getting harder and harder to create the demanding show around him. Faced with this situation, the sensible thing to do would be to let the show run its course, and bring it to an end. Instead, the BBC decided they were going to recast the main part; and they were going to do it right on screen, using the character’s alien nature as an excuse. More audacious still – the new actor, Patrick Troughton, was chosen specifically to put an entirely different stamp on the whole idea behind the show. Instead of a tetchy space grandad and his charges, Doctor Who became the story of an unpredictable space hobo and his friends. Troughton’s boundless charisma and considerable acting chops launched the series into a new age, and effectively smashed any boundaries that might have existed around Doctor Who. Tom Baker was a wonderful piece of casting, Christopher Eccleston and Billie Piper were brilliant and audacious choices, but it was with Patrick Troughton that the UK’s greatest sci-fi product came into its own.
1. Patrick Stewart as Jean-Luc Picard
When Paramount decided they were going to make a new Star Trek series, science fiction and fantasy were out of the public’s mind. The scifi/fantasy movies and TV of the time were odd beasts, almost apologising for their existence, robbed of the confidence of the 70s and the early 80s. The return of Star Trek was an attempt to reverse this trend by bringing back the most successful science-fiction property of all.
But there was a kind of genius at work here. Star Trek had thrived on the bare-chested Captain James T Kirk and his all-American bravado and machismo; the revival would explicitly repudiate that very character type. The new Captain of the Enterprise would be erudite, thoughtful, and European. Shakespearean actor Patrick Stewart, who had appeared in several sci-fi/fantasy movies in small roles, was offered the part. He accepted, and embraced it. His performance provided gravity and credibility and emotion in the face of shaky plots, poor characterisation, and acres of technobabble. Under his guidance, Star Trek: The Next Generation found its feet in the second season and became a new phenomenon. ST:TNG would, in turn, change what was possible on television. It made the small screen safe for science fiction and fantasy again. Not only that – it also took some of the first and boldest steps into onscreen continuity for non-drama television. TNG’s legacy includes Hercules and Xena, the X-Files, Buffy and Babylon 5; the current round of Lost-style shows is a second generation that calls TNG grandfather. The entire 90s sci-fi/fantasy scene was made possible by TNG, and Patrick Stewart made TNG possible. He’s my pick for the greatest casting choice ever in sci-fi/fantasy.
Top Ten Casting Choices In SciFi/Fantasy
10. Christoper Reeve as Superman
He made us believe a man could fly. Somehow breathing absolute conviction into a fundamentally absurd role, Reeve took the fine legacy of Siegel & Schuster via George Reeves and gave it the authenticity it needed to work. He was the first to really make us believe in an on-screen superhero, paving the way for the Spider-Man flicks and Heroes. And did he ever look the part – both nebbish and hunk, we could even go along with the glasses-disguise bit.
9. William Shatner, Leonard Nimoy and DeForest Kelley as the core Star Trek crew
Sometimes lightning just strikes in a casting lineup, and it did here. Wagon Train to the stars wouldn’t have hit the culture nearly as hard if it didn’t have the incredible chemistry between these three to anchor every episode. There’s a reason we have Star Trek conventions and not Lost In Space conventions, and these three actors are that reason. Notably, only Nimoy was in the pilot episode shot for the show.
8. Alyson Hannigan as Willow Rosenberg
Whedon’s Buffy TV series was never as much of an ensemble show as he claimed, but it would have been even more narrowly focused on Buffy without Hannigan in the cast. Her expressive face and unique line readings made her the emotional channel for the audience – whatever she felt, we felt. She gave us the grounding we needed to buy into Buffy and Xander and Giles and the universe that grew up around them. And of course, without the Buffyverse, modern TV would look very different indeed. (It is worth noting that Hannigan is another recast – in the pilot her role was played much more conventionally by Riff Regan.)
7. Viggo Mortensen as Aragorn
Lord of the Rings was a huge success, and is well on the way to becoming this generation’s Star Wars. But without Mortenson, the whole edifice would have come crashing down. More than most fantasy and sci-fi movies, Lord of the Rings relies on audience buy-in. At its centre it needed a person of absolute integrity whose belief can be shared by the audience. Mortensen filled that role. His commitment to the part is legendary – living off the land with his horse during filming, disappearing into the character – and we believe him every second he’s on screen. And without him – just imagine Orlando Bloom’s flat Legolas and John Rhys-Davies’ hamming Gimli without an Aragorn of particular gravitas to balance them. It hardly bears thinking about. (And, yet again, this was a recast – shooting was underway when first-choice Aragorn Stuart Townsend was given the boot and Viggo got the call-up.)
6. Sigourney Weaver as Ellen Ripley
The cast Ridley Scott assembled for Alien was incredible. John Hurt, Ian Holm, Yaphet Kotto – this was the real deal. And yet the movie hung on its unheralded, inexperienced young lead, Sigourney Weaver. Scott’s faith in Weaver was rewarded, as she gave a performance simultaneously tough and vulnerable, all by herself making the female action hero a possibility. Weaver’s Ripley casts a long shadow over film and TV that followed, and her Academy Award nom for the sequel was well-earned recognition of this fact.
…the rest next week. Who are your picks?