Way back in December 2003, in what was only my 9th post to this blog, I generated a small eddy of argument over this:
Made me reflect for a bit on the absence of a ‘traditional music scene’ in Wellington, and perhaps in wider New Zealand. Traditional/cultural music groups exist, of course, but they’re pretty hard to find – I certainly never stumbled across more than one or two. (Although, now I think of it, the Cuba Street Carnival always seemed to summon them out of their shadowy corners.)
In New Zealand we have little in the way of local traditional ‘folk’ music that is shared with the community. Certainly, we have cultural music traditions that are strong – I defy any New Zealander’s spine not to tingle when a waiata rings out – but they are bounded into particular spaces and contexts. The Pacific Island musical traditions are likewise heavily tied into their particular communities. New Zealand’s European-descended pakeha seem to be largely happy to let the musical traditions of their various forefathers fade to nothing. The Asian communities are still a long battle away from being accepted as ‘part of New Zealand’ and their music likewise.
There was much discussion and a follow-up post with even more discussion. Lots of people challenged me, basically.
Anyway, I was thinking about that again when I read an interview with Stephen Fox, one of the PhD candidates at my workplace. It was printed in the DomPost a couple weeks ago but hasn’t turned up online, so here’s the excerpt I most want to quote:
He says pakeha today don’t have an equivalent to Maori and Pacific Island cultural arts. Pakeha folk arts and rituals, including annual celebrations and rites of passage, were replaced about the time of the Enlightenment, he says, although some survive in small pockets such as folk music and dance. “But they don’t have that deep core of information. With Polynesian dance, you have these massive genealogies. You are getting this massive dose on information of who you are within this cultural context.”
And that, I think, sheds some light on the position I was arguing back in ’03, and still have some sympathy for today. It also points at the value of, say, putting Maori cultural practice into play with Maori prisoners – they get information from it that pakeha wouldn’t get if someone turned up to make them morris dance, or sing “Thank You Very Much For Your Kind Donation”. (I kid because I love.)
Anyway. I really wish you could read the whole article, but you can’t. I can link you to Stephen’s website though.