First, Leon followers might remember this from an earlier email:
“Leon has headed off on his own, back to London… He´s going to try and get things going in the theatre scene, and with a bit of effort and a pinch of
good luck I´m sure doors will start opening.”
Well, he´s now working backstage on this thing Ken Branagh is directing. So. Now you know. (The show is called ´The Play What I Wrote´, check out
http://www.theplaywhatiwrote.com/ for more info.)
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Okay.
Second, while Percy´s funeral was occurring back home I was wandering the streets of Barcelona alone. I was pretty tired from travelling, and I´d been in a bar with some new hostel friends, and then I just wandered a bit. And I ended up checking my email, and received a flood of messages from people who´ve been reading these emails. And it was actually a really important thing for me. So thanks.
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Third, because email has been so bitsy and inconvenient and quite frankly I’ve had other things on my mind, I´ve given pretty scattershot coverage of the last several weeks.
Here´s a flashback.
I stayed in Lisbon until Thurs Oct 24. You´ll recall I wanted to see fado, but ended up eating pizza and watching a video with Lisbon native Tanya and hostel-friend Amund. Well, my local contact Rui decided he was going to do something about that, and two nights later he mustered his compadre Ricardo and they went to meet me at the hostel, as arranged by email the day before.
The problem, of course, was that I had completely screwed up what day I was doing what and had in fact crashed out in bed when he arrived. Rui and Ricardo sat in the bar for what must have been hours waiting for me and finally sent the guy at the desk up to knock on my dorm room door. Guys at hostel desks don´t normally do that kind of thing, but there you go.
(Actually, the guy at the Rome hostel kept running messages for me as well.
Maybe I´m a bad hostel guest.)
So I´m just starting to drift off to sleep and there´s a knock and the door opens and the guy says there´s some people downstairs, and I jump out of bed and get dressed and run down, and along the way I realise what I´ve done ´- lost track of what day was what. There was a rogue Munsday in there that threw out my calculations, I guess. (Munsday = that day of the week that either should exist or accidentally does.)
So, Rui and Ricardo are astonishingly gracious, and won´t even hear my
abject apologies and general feeling of foolishness, and we jump in
Ricardo´s car and head down to Alfama. Alfama is the real old town of
Lisbon, the part that survived the 1755 earthquake (hope my date is right
Rui). It´s a hillside crammed with tall and narrow lanes and tiny squares,
honeycombed with small bars and restaurants, full of atmosphere. We enter this little fado bar and order a beer each and sit. There´s hardly anyone in the place. Things get weirder when three of the clientele reveal
themselves to be the musicians and singer by ending their break and taking
the floor. And then they began. There were two guitarists, one playing a
conventional instrument and the other a portugeuse guitar, and the singer. He was an older man, immaculate in suit and tie, holding himself very straight, and he sang and they played and it was amazing. Throughout I was reminded of the flamenco singer I´d seen in Barcelona and his dishevelled
appearance, his movement, the wildness in his song. This couldn´t have been more different, and yet the same in so many ways, deep expressions of
profound sadness, heartwrenching emotion, laying out the truth of life. Rui
and Ricardo said that it was an example of the difference in character between the Portuguese and the Spanish.
The musicians took a break. Rui and Ricardo told me about the history and
importance of fado and soon the musicians returned, this time with a young man singing (yet another of the audience transformed into performer), his voice full and rich, technically brilliant, although perhaps his heart wasn’t old enough to have learned the sorrow of his colleague.
And all of this to Rui, Ricardo, myself, two other locals, and the bar staff.
Astonishing. I recall Tanya´s words from when I was asking her about her nation and culture – “we are a sad people”.
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Thanks Rui and Ricardo. And I better also point out that the only impression I´ve given of Tanya is ´don´t waste your time with Fado, eat pizza instead´, which isn´t a very good picture. She was full of love for her country and full of insight about what was around us, and it was thanks to her that Ella and I made our way north from Lisbon to Geres, land of the giant slugs – but that´s another flashback.
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morgue