Verified Linky

Reverse verification: the process where someone tries to introduce doubt around established facts. This basically functions as a cheat code for our media systems. As Jay Rosen says at the link, verification is what the media should be doing, but they get caught up in reporting what people are saying – untangling these has proved hard. Maybe sharing this “reverse verification” idea around will be a small further step toward change.

“First off, let me just say there was a very heated NZ vs. Australia rivalry on the Cabin set. Apparently, Australia is a prison colony filled with castoffs and criminals, and New Zealand is a glorious land of Hobbit-filled imagination and wonder.
Or, at least, that’s what Anna Hutchison tells me. Suck it, Hemsworth.” – Drew Goddard, in a lengthy Q&A about Cabin in the Woods. (via David Ritchie esq.)

Now this is how you tear a highly-regarded restaurant to pieces in a review. The NYT gives one star to famed Manhattan eatery Le Cirque. (via Mark Cubey. Gator, obviously you’ve gotta click on this one.)

That “crying fire in a crowded theatre” thing – its legal history in free speech cases exhaustively examined. Way too dense for me to do more than skim, but lawyer types and free speech nerds will be fascinated with the detail too. Upshot: stop referring to it goddammit.

Amazing project you can join: help the transcription of documents from the 1920s excavation of the ancient city of Ur.

Y’all seen xkcd’s “click and drag“, right? It is amazing (but also hella frustrating to interface with after a while). Here’s an easier, zoomable version – but is this the complete picture? I don’t know.)

More about the culture and codes of behaviour among magicians, this time through the example of Teller and someone “stealing” his trick. (Gob: “Illusion, Michael!”) I never get tired of this stuff. The article is longer than it needs to be, a writer trying to give the article weight enough to be an anchor feature I guess, but is full of amazing details. (via Theremina)

Fan-made Star Wars space battle anime. Groovy as heck.

The definitive Watchmen 3

Fold your own Flight of the Conchords

There is a Magic: The Gathering puppet musical. This is a thing that exists. (via Liam Frost)

Guy playing Skyrim just decides to add all the mods he can find at once. The game becomes very weird indeed.

The YikeBike – NZ innovation, a super-light transport option?
And a cardboard bike (both via d3vo)

And if I never linked this before, I should have – some research about how our ancestors slept, and how the 8-hour sleep session is quite unusual really (also via d3vo)

Characters on the TV show Community watch a Doctor Who echo called “Inspector Spacetime”. Now there is a webseries echo of Inspector Spacetime called “Untitled Web Series About A Space Traveller Who…”, written by and starring the guy who plays Inspector Spacetime on Inspector Spacetime. Follow all that? Good. Clicky then.

If the phrase “the problem of Susan” means anything to you, you really need to read this very short story. (Narnia fanfic, via Making Light.)

The accidental history of the @ symbol. I always thought it was derived from “ea” for “each”. (via Mrs Meows)

And finally, also via Mrs Meows, gaze into the abyss that is Lindsay Nohands.

Big Tobacco: why you do this?

I’ve mentioned previously the Agree/Disagree campaign that has been running prominently in NZ media for the last month. It has been hard to miss, with many television spots in prime time every day, full page ads in newspapers, and radio placements too. The spend is enormous. The initial stated amount of “hundreds of thousands of dollars” is, a month later, clearly revealed as something of an understatement. (The equivalent campaign in Oz spent $4.5 million.)

The campaign, by British American Tobacco, is in opposition to government moves towards mandatory plain packaging of cigarettes. It argues that plain packaging is bad because it impinges on corporate right to use the brands they have carefully developed; and it hurts us on international trade, making us vulnerable to legal challenges for example. They also state that plain packaging just won’t make a difference. (That last point appears to be quite wrong; the science is developing towards a clear signal that plain packaging reduces smoking rates.)

The website itself is quite small and uninteresting (and a close match to the Aussie version). It has a statement of the argument, and reproduces their print, TV and radio ads. That’s it. Missing: any call to action, at all. Anyone who responds to these ads and actually visits the site will find a few bullet points and nothing else of interest.

After a month of this with no end in sight, the mystery of what BAT are trying to achieve remains unsolved. Why are they spending so much money, time, and brand capital on this campaign? As another blogger has put it, what is the point of all this?

It isn’t to persuade the public to accept their argument. This is unconvincing on two levels. First, it just isn’t going to work. Public support is never going to muster behind support for tobacco marketing (and branding is marketing, make no mistake on that) or the details of international trade. (If you want to get the massed public behind you, you need a better hook than this. Compare the recent Australia “nanny state” campaign.) Second, even if you do persaude the public – so what? How does that get you what you want? This matter isn’t going to referendum. Are you hoping all your new supporters spontaneously decide to lobby government on your behalf? That’s a ridiculous notion.

In fact, this whole campaign is so poorly conceived that it’s actively turning smokers against BAT.

So you have the deeply weird spectacle of an enormous, expensive public persuasion campaign that is not actually interested in persuading the public.

A further wrinkle has appeared since: BAT have hired a small team of people to go around NZ gathering signatures and discussing the plain packaging issue. They were out in Wgtn recently and a few of my friends were approached to sign a petition against plain packaging. What petition is this? Your guess is as good as mine. But a small team being flown around the country for a month aren’t going to get enough names to make much of an impact on anything. If the petition mattered, it would be online as well, wouldn’t it? So add to the weirdness above: a petition that has no interest in actually collecting signatures.

Clearly something isn’t what it seems here.

What else is at work? Chris Trotter suggests the spend isn’t aimed at the public directly, but at editors and columnists who are influenced by the dollars coming their way. That could be part of the mix, because getting editors and columnists on-side is certainly a way to influence political action in NZ. I find the notion that this is the core purpose of the exercise hugely unconvincing. (“Here’s the plan: we spend loadsamoney advertising our argument, and hope some influential columnists decide that’s a good reason to take up our cause, know what I mean?” “But can’t we just get pretty much the same result by taking out a few small ads and sending a personalised letter to the columnists who are inclined to support our point?”)

Look again at their core argument. IP issues? International trade concerns? These issues are not addressed with public marketing campaigns. They are pursued through direct lobbying to government, submissions to select committee, and corridor conversations with influential people.

And yet a big national campaign is what we have. What are they up to?

Here’s another explanation: BAT have gone mad. No, seriously. They are so terrified by the ongoing shift in public opinion that will destroy their business sooner rather than later that they are running around like headless chooks, not talking to each other, throwing any random thing they can at the wall and hoping to somehow connect with a hidden reset switch. It’s a satisfying mental image, but probably unwise to give it any credence…

Okay, looking at what they’re actually doing isn’t giving me any clear picture. How about starting from the other end – what should we expect them to be doing? Obviously, this is important to BAT and other tobacco companies. They are, presumably, terrified of a public-health domino effect. Australia has fallen, and we are primed to go next. Other smoking changes swept the world with great rapidity, e.g. smokefree restaurants and bars. They have to fight this one here, before it gets out of hand. They don’t have many options in how to fight, really. They can directly pressure decisionmakers (which is how things have traditionally been done) and they can try and keep public opinion on side so there is no appetite for change. Can this gigantic mess of a campaign really be their best shot at public opinion?

Comparing agree/disagree to BAT’s Aussie campaign is interesting. The framing is completely different. It’s all: “Will plain packaging cost the taxpayers billions? Will it make tobacco cheaper? Where’s the proof?” Here, incredibly, the ads all front up with “we accept smoking is harmful” and talk about fairness and debate on technical issues. It’s a fascinating switch-up by BAT and/or BAT’s creative agency G2 Sydney (who I presume did the Aussie version too). Some possible reasons: the Aussie version really, really didn’t work; the temperature of the NZ market was so different they felt a completely different angle was needed; they’re trying out a new strategy that might cross borders more effectively; they’ve adjusted their behind-the-scenes lobbying approach and wanted their public strategy to align with that; some new manager came into a senior role and wanted to stamp his authority on things by making a change. All of these are unedifying, and impossible to test or verify based on what we can see from the outside.

So where does all this leave us? I wish I knew. I’m no closer to understanding what on earth BAT think they’re doing. One thing is certain: this public campaign is not the whole iceberg. There will be a whole huge pile of hidden work going on – lobbying politicians will just be the start of it. (Keith Ng covered some BAT lobbying action last year.) And if this enormous public campaign is just to support that, just to provide a few anecdotes and the thin impression of public support to give lobbyists just that bit of extra edge on influencing policymakers? If that’s the case, be very afraid, because that suggests the war chest big tobacco has to call upon is much, much bigger than I would like.

One other thing. I would not be surprised if the online discussion around this issue was being infiltrated by paid fake commenters pushing the BAT line. The “discuss this!” line is being pushed hard (although, notably, not on the campaign’s own forum) and buying some sock puppets is a cheap way to get some real push on your messaging. It’d be nice if sysadmins at media sites kept an eye out for this, although it ain’t hard to make it pretty much invisible.

Insights from readers most welcome, because I am mystified by this whole thing.

Helicopter Catan Linky

Via mrsmeows, here’s a 9-minute doco on a man in a wheelchair building a helicopter out of junk. It’s quite lovely.

Via gbaker, here’s a 9-minute doco on a group of friends playing Settlers of Catan when IT ALL GOES WRONG. It’s actually a dramatic recreation of the event – using the actual people – mixed in with talking heads. Neat stuff.

Jean Grae kills. Kill Screen. Flow deadly as hell plus your true classic arcade sounds. As the lady says, Rappity Rap.

Miniature pigeon camera! Pics of & from the pigeon photographers! (via Mike Upton)

If Star Wars was an 80s school flick (via Fraser P)

Dude, you got Daddy Skills (via lots of folk)

6 degrees of Black Sabbath (via Hugh Dingwall)

Gremlin anatomy

Photos of Christopher Robin & Pooh & the others

Via Andrew Jack – BOSCH ACTION FIGURES well statues or whatever but I’d make He-Man punch them.

People who write letters to lexicographers are as mad as people who write letters to any other place. Feel their pain. (via Making Light)

Papercraft Shackleton’s Endurance! And other disaster dioramas too. (also from Making Light)

Tracking the decline of Livejournal (Making Light again)

Warren Ellis on how to actually see the future. He’s started a Vice column too.

The Wire gets a 16-bit game

And finally… via the City Gallery Wellington, oddly enough… it’s the RAINBOW SPONGE

A Decade At Large

Ten years ago today, I left New Zealand. I had a plan to sort of end up in the UK and do… something. I ended up spending three years in Edinburgh. Seems like it was longer.

Sitting on the plane out of NZ with my good buddy Mr TwoTrees, we talked about why we were going. In our mid-20s, we were at the top end of the OE age group. We weren’t out to party like crazy, or to find ourselves, or to earn a nest egg of sweet sweet GBP. Our motivations were harder to nail down. One strand of mine I could identify: I wanted to learn the size of the world. I wanted to get that sense of scale that only comes from experience.

By the time I landed back in Wellington, I knew the world’s size. I had also made a new lifetime home in Edinburgh, and many crucial epic wondrous friends who each pushed my life in new directions. And walking in Welington, I knew this was the right place to be, where I had to be so the next stage of my life could begin.

I didn’t do everything right, far from it. It made a hard road for my lovely Cal, left behind at the airport ten years ago, part of a scattering loop that took nearly a half-decade to reconnect. I think of the me sat on that plane and I remember how many mistakes I had made and would continue to make. That day was the beginning of a journey that would create a new version of me. Not that there was anything much wrong with the old me, but the stuff down deep was ripped out and rewired and I am deeply grateful for the opportunity to undertake that process, the privileges of my heritage and my financial situation and my supportive family and more.

A decade ago, I got on a plane; travel without a tourist. Across a whole lifetime there’re probably only a few days one can point to and say, then, right then; the exact moment where I started a fresh page and wrote myself anew. This is one of mine.

morgue at large (travel email archive)

Legal Linky

Delivering info to the court in the form of a comic (part of the ebook antitrust lawsuit playing out right now) (via Miri)
(Also: Judges love Star Trek, at the Legal Geeks)

The guy who wrote Strange Fruit – well. He was involved in some interesting life, as recounted in this short NPR article. (via Vivian G)

The playlist Michael K Williams listened to for playing Omar in The Wire

Gangnam Style, Cosplay Style

GQ’s “of the year” covers: Spot the odd one out.

Stained glass Tolkien

Neat tech demo for HTML5: an animated map of the Firefly ‘verse

The economics of stolen bicycles

Tim Denee explains the secret truth about Team Fortress 2

Star Wars in real life (via Keane)

In 1905 there were two rival comic strips based on the Wizard of Oz

Interesting article that argues work/labour isn’t a good basis for political organization any more – and proposes debt as the alternative. (via Allen Varney)
(Related: George Monbiot’s very short film about what comes after capitalism)

And finally, a squamous & cyclopean take on sex education…

Husbands Linky

First reading in Parliament passed, by a resounding 2 to 1 majority – it seems like NZ is on the road to marriage equality. Marvellous, marvellous news. Go celebrate with the webseries Husbands, by Jane Espenson among other smart folks. It has just started season 2, has a bunch of neat cameos, and is funny.

Doing the rounds again, a timely reminder of just what a dramatic and risky achievement Neil Armstrong (and Aldrin) managed: Nixon’s speech (by William Safire) prepared in case they didn’t come back. (via Frank)

Melanie Lynskey, NZ’s most Charlie-Sheeniated export, is doing a guest blog run at the interesting Film Experience. I like her DVD collection. Unsurprising really.

Back to the Future in Grand Theft Auto

How the patent system is really, really broken, and Apple’s recent legal victory shows how bad this is for pretty much everything. (via Michael U)

Some cute babbies listen to a guitar. I would have linkied this even before I became a dad. 45 seconds of delight.

Ruth H sent me the amazing Schmidt Pain Index. This is like a menu at a whisky appreciation night, only describing insect stings. (She got it via Mindhacks, who got it via RadioLab, which means this is the third time in six weeks that Friday Linky appreciates Robert Krulwich.)

Somehow or other Malc found this, which is an argument against the existence of e-books that just gets a leeeeeetle bit out of control. Er, WILDLY and OFFENSIVELY out of control.

Y’all are reading Gem Wilder’s blog by now right? She does linky stuff too! Her latest Wilder Web update has a big list of happymaking things, Laurie Penny on Julian Assange, Royal Tenenbaums, Stockholm subway, and moar! And she says nice things about me, *blush*.

Best personal ad ever?

It is actively hurting me to think about climate change stuff right now. George Monbiot captures the zeitgeist in his blog this week, pointing out that news of a huge new record melt of arctic ice was ignored by UK media, while front pages were covered with excited debate over where a new airport runway should go. In the US, the Republican National Convention has turned out to be a de facto climate denial party, rolling back even the verbal concessions to its reality made during the GWB administration. And closer to home, there’s this and there’s this and aaaargh. aaaaaaaaaaaaaaaaaaargh.
Go read this post by Steve Hickey about why he’s giving a few bucks to the 350 movement. I recommend you do the same. I haven’t done this yet myself but blogging about it here will compel me to follow through. I’ve got to get back on the train of taking actions around this, and every little step builds momentum. (Also related: why we are poles apart on climate change, via Karen)

Baby Got Back, in the style of Ian McKellan (via Judd Karlman)

NYT investigative piece about online reviewers for hire. (via Making Light)

Album sleeves in their original locations (via Pippy D)

Do you have enough reasons yet to love Emma Stone? No? Here’s another one then: Blade Runner photoshoot (via starlajo)(LINK FIXED NOW DOH SORRY)

Star Wars, spaghetti western style (via Pearce)

Jayne Eyre (not a typo) (via Making Light)

An amazing piece of whimsical guerilla public art: ride the bus, make a fish eat people’s heads.

And finally, via Chris Elder: water wigs, images of water exploding on the heads of bald men.

Safety & exclusion at the Dowse

The Dowse Art Museum here in controversial Lower Hutt is hosting an exhibition with a video component that only women will be allowed to view. The video shows Muslim women getting ready for a wedding. Limiting views to women is a condition of display, in accordance with the wishes of the subjects.

This has got people talking, unsurprisingly, but most of what is being said is dumb.*

As far as I can tell, sitting under this issue are two contrary positions, and I don’t think they’re self-evident. Here’s my take on them:

“A public gallery must not share an artwork if some people will be excluded from seeing it.”
vs.
“A public gallery can share an artwork even if some people must be excluded from seeing it in order for the subjects to feel safe.”

Now, the way I’ve written that second position is important. I think most people who align with the first position think they’re arguing against something different, namely this: “A public gallery can share an artwork even if some people must be excluded from seeing it because another culture says so.”

This is a spectacularly unhelpful framing, for all sorts of reasons, but mostly because it treats culture difference as the final word. Their culture is just different to ours, and in this case, it’s offensively different! But culture isn’t the end of the story, it’s just the beginning. Look under the hood, and you find that cultural differences are almost always just different expressions of values that are shared across cultures. Here, it’s about safety, and about how people in different cultures feel safe. In the culture shown in this video display, safety is heavily gendered in a way it isn’t here.

If you accept my framing that talks about safety, then you have a discussion on your hands, a proper ethical conundrum. Does safety justify exclusion? Can exclusion ever be justified? It would be nice to have that discussion. I see no signs of it so far, though.

My personal view right now? I have to say it doesn’t bother me. Here’s why:

I want New Zealand to be a multicultural society, and that means one that accepts cultural practice that is not consonant with our own expectations. If we want to welcome people from other cultures, then we have to give them space on our turf to do things their way. It’s that simple.

(What’s not simple is figuring out exactly how far that goes. FGM is not to be blithely welcomed in my multicultural NZ, for example. Where to draw a line has to be carefully, probably painfully, argued out over generations; but the starting point and the principle is nonetheless clear.)

So I’m totally cool with an art gallery following an other-culture’s ideas, including a public-funded gallery as a small part of its ongoing work. Violating my cultural norms for a short time seems like a small price to pay to give space for, and access to, another culture.

And yes, the norm here is involves gendered discrimination. The idea of gender equality is awesome when it’s used to attack the concentration of social power in men. But that just doesn’t apply here; this is about protecting the social power of women. I think I support this inequality for the exact same reasons I support equality in the vast majority of contexts.

Also: there’s an idea that allowing this exclusion weakens the general principle of equality in our society. I don’t buy it. Maybe someone could convince me, but I just don’t see how you can get there from here.

Also 2: yes, there might be legal issues – if this is non-compliant with Human Rights legislation, then it’s gotta go, because that’s the law. But it’ll seem to me like an exercise of law that isn’t warranted, a false positive on the spirit of the legislation.

That’s where I’m sitting right now. Totally open to being pushed or pulled around on this, should a sober exploration of this ethical situation ever eventuate. Ha ha.

* Really dumb. There’s a lot of talk about political correctness, obscenity, Sharia law, thin edges of wedges, and numerous tangential comments on Maoris and playdough. The complainant getting media is a perfect example of this type, and I think it’s obvious his opposition is bound up with some unpleasant stereotypes and fears.

Woof Woof Ruff Linky

Dog Shaming is being linkied everywhere but I’m linking too because it is indeed perfect. Dogs have a broad range of dog-type emotions, but “shame” might be the one that is most similar to the human version.
Also canine: BARKOUR! (via Fraser P)

I’ve linked to The Dark Room before, but here it is again because it’s been turned into an Edinburgh Fringe show. Well worth a click around. No, I haven’t made it out of the Dark Room, not without being beaten to a pulp anyway. (ta to Craig Oxbrow for the heads up)

Teju Cole, previously mentioned here during that whole Kony debacle, has been continuing his awesome micro-length fiction on Twitter (so different to the other microfiction I’ve seen on Twitter which is almost always about cleverness). Here he explains why a Mos Def/Talib Kweli/Common track from the late 90s is perfect music. (Via Amund. Circuitous hat tip to Michael Upton who recommended listening to Black Star back before it was cool to recommend listening to Black Star.)

Also about hippity hop music: this fascinating piece analyses the rap technique of fabulous Jean Grae from a music composition perspective; & Nathan Rabin’s history of hiphop reaches ’91 with lots of early Tupac and a surprising-to-me revelation about MF Doom’s identity pre-MF Doom.

Music puns! (via MrsMeows)

Strong Female Protagonist: a neat webcomic. Gender, superhero deconstruction, social justice, other stuff. Beautiful art & confident storytelling.

Who influenced who? Crazy data visualisation (via Hugh Dingwall)

NZ is considering legislation to require plain packaging for cigarettes. British American Tobacco’s response is the most reprehensible social marketing campaign in quite some time. (Big spend, too, with lots of TV ads as well as newspaper/magazine presence.) “CREATE” shouts the advertising (see the poster on the NBR), or if you read the small words too, If We Create It, We Should Own It. Yep, they’re making it about intellectual property, which is (1) so unlikely to succeed they’re either grasping at straws or running some elaborate double game, and (2) even more sickening than the usual corporate attempts to co-opt the idea of creative ownership. And I know this isn’t even a link, I’ve basically put a rant in the middle of a linky this week, sorry about that.

Laurie Penny writes an epic, personal, (very triggering of course) piece on rape. Julian Assange on the one hand and the entire Republican party on the other have generated lots of noise on the subject lately, but this account cuts through the din.

Photorealistic portrait created with ballpoint pens.
Speaking of which: customer reviews for BIC’s “For Her” Ballpoint Pen.

Great 2010 Fortean Times article on Dennis Wheatley, writer of super-popular stories of Drawing Room Satanists. (via Danyl)

The rise and fall of grunge typography (via Allen Varney)

53 jokes you probably missed on ‘Arrested Development’ (yep, most of these I missed)

163 horror movies in 2 1/2 minutes

James Earl Jones reads The Raven (via Bruce Baugh)

Door does a Miles Davis impression (via Nick Tipping)

TARDIS blueprint (via Allen Varney)

Maude Apatow (yes relation) writes about falling out of love with Twitter

And finally, via Russell Brown, it turns out Western music has been doing music videos wrong this whole time. K-Pop with PSY shows the way:

We know it linky

NASA and we know it (via half the internet)

Trond thinks about the contradiction of corporates that don’t extend free market principles to their own internal structures, instead operating in strict command & control hierarchies.

Step aside Lego. Playmobil madness is here.

Famous album covers recreated with my socks (via Gem Wilder)

The invader

No doubt you’ve seen the remix Gotye made of his most famous track, entirely from YouTube clips of people covering (or parodying) the song. Svend has pointed out this was inspired by the interesting remix project ThruYou. There is also a TED talk.

War Sand: whoa.

15 minutes of lovely coffee chats between paired-off Brit comedians. Really enjoyable.

Backstage lingo in NYC restaurants (via Paul Litterick)

For my academia peeps: Why Impact Factors Suck

What makes Paris look like Paris?

I’ve seen a few guides to how to correctly fold fitted sheets, but I never remember them. Here’s an excellent step-by-step that is impossible to forget. My sheet-folding life has changed for the better!

David Tennant – spoken word performance of Spandau Ballet’s Gold

The story of…. pallets. Really interesting. (Allen Varney again)

New website actually reads through the Terms of Service for many websites & rates them. Cool cool cool. (Allen Varney again again.)

“Science chicks from history!” (a tumblr) (via Kat Urbaniak)

Mo Farah running away from things

More people are killed by cows than by sharks. So: cow attack survival guide

Indy scenes that never happened (via Craig Oxbrow)

And finally, via Dave Cormack and several other people: Baby Got Back, sung by the movies

And also finally, from everywhere, it’s another Call Me Maybe riff. Wait a second, Chatroulette is still a thing that exists??

Sunset to Light Linky

Sunset to light is a new short film – images and music – by some friends. It’s London, now, and it’s quite lovely. The musos involved are beloved to many Wgtn folk as members of the Dukes of Leisure. Not embedding it, because it really needs to be seen in its native environment as embiggened as your screen can handle. Nice work guys. Go see go see go see.

As I write this, people are getting out of the NZFilmFest screening of Kubrick’s The Shining, and tweeting about it. Mr David Ritchie sent me this link the last time I got all Kubricky on here: The Overlook Hotel, ephemera from The Shining

Darth Vader in love (by Peter Serafinowicz)

Oven temperatures LIE TO YOU man

Medical reviews of every episode of House

8-bit covers to classic novels

The Truth about Colbert-style Truthiness – more stunning research out of Maryanne Garry’s lab

Christian fundamentalists vs. set theory

HP Lovecraft answers your relationship questions – this is exactly what you expect it to be, executed to perfection (via Mike Upton)

Juan Cole’s list of the top 10 differences between white terrorists and other terrorists has been going rapidly viral, and for good reason. Check it.

6-minute excerpt from a charlie kaufman keynote address, adapted into an evocative short film that is pretty inspirational really

Public transport decorated like Versailles. Wow.

Why Silver medallists look so blue

Infographic of the 100m race across history – the rate of improvement here is quite astounding. How long can this possibly continue? How much of this improvement is physiological, how much is technique? Wow.

Five friends take the same photo every five years for three decades (via Gem Wilder)

Via Dave Ritchie: cutting edge science on the effect of peanut butter on the rotation of the earth.

TED as a whole gets a blistering serve in this review of some recent TED ebooks. (via Allen Varney who probably gave me half these other links too.)

Half-drag portraits (via Allanah)

Good advice for when there’s a creepy dude in your circle of friends (via Jess Pease)

Texts from Jane Eyre

And finally… the Moby song.