What I’m doing this week

Part of my life is being manager of the Centre for Applied Cross-cultural Research. Every week the researchers get together and there’s a presentation of some sort or another.
This week, I’m doing one. I’m not a cross-cultural researcher, but I am a giant geek. So:

Playing culture: Dungeons & Dragons, fantastic ethnicity, and the undisciplined mimetic imagination

For several decades, intercultural education has made productive use of interactive exercises, role-plays and simulations. These “infinite games” offer a way to explore and practise cultural interaction in a way that is immersive, memorable and supportive of exploration. Such engagements are carefully managed with inductions and post-experience briefings to contextualise what has taken place.

However, there exists a vibrant strain of parallel activity that is purely informal. For forty years, small groups of people have gathered together and imagined intercultural experiences without any inductions, briefings, or contextual guides. Tabletop role-playing games use an infinite game structure for the shared creation of character-based narrative fiction, and intercultural engagements often feature. In this presentation, I’ll describe how these games have presented and explored culture, and how innovative techniques are opening new possibilities for playing culture. To explore some of these ideas, a prototype for a new game based directly on cross-cultural research will be presented for discussion and feedback.

Happening Thursday. Should be fun.

Inky Linky

Via Draw: GET OUT OF THERE!

(list of featured movies)

The Global Entrepreneurship Week launch event had a focus on Social Entrepreneurship, with speakers including Sam Morgan, Marc Ellis, Rod Oram, and others. It sounds like a pretty cool thing. I didn’t make it along due to the Waitomo deadlines, but the whole thing is available via Massey’s mediasite. I look forward to checking that out. GEW is in mid-November, so keep your eyes open.

The Hobbit has been in the news for all the wrong reasons – and I don’t think NZ has had so much interest in such a fuzzy dispute for a long time. I’m still not remotely clear what the union is actually concerned about. My sympathies lie with actors, but I don’t know that the unions are discharging their responsibilities to well at the moment. Anyway, Theatreview has been tracking the entire story and dragged all the links to one place.

Sadhbh asks, are there any chick-lit novels where the girl ends up with the good guy, not the bastard? There are tumbleweeds. Well worth a read, and do comment if you have any suggestions!

FFFilm: screenshots from films. Very engaging.

The ten computer games Roger Ebert, who said games can’t be art, should play.

Very detailed interactive map of Middle Earth.

Cinema advertising tricks from the 1920s.

The pointless, creative delights of CAPTCHArt: taking one of those little CAPTCHA phrases and interpreting it through art. Often hilarious.

And finally… the Dick Tracy comic strip scrambler. Every time you reload it randomly assembles three Dick Tracy panels. I dunno either.

Fruits of Labours

Been working hard the last month or so, and in the last few days there’s some nice outcome of that.

I’ve been working out and writing the launch exhibition for the new Waitomo Glowworm Caves Visitor Centre. Really interesting building, really nice location. My role in that work is now done, and it goes on to other Eklektus team-members to handle installation and other bits and pieces like that. Very satisfying, and good to develop a new writing skill – writing for exhibition reminds me of teaching crossed with writing for the web. Full opening is October 21st, so if you’re passing through Waitomo after that stop in and see the building and the exhibition!

Also yesterday stopped in at Sidhe, to see a bunch of concept art and a playable prototype for a game we’ve been working on for some time. I am, it must be said, not the most competent player of games but James E was very kind as I flailed about. Exhilarating. Concept art has really stuck in my head too, and I’m scribbling away on the next stage of the project with some enthusiasm.

So it’s nice to see my work translating into stuff in the world. In the news last week was word that Madagasgar Kartz (for which I did spot dialogue) has “been Sidhe’s top seller, with the number of units sold recently reaching seven digits“. Safe to say that’s the biggest audience my writing’s ever reached!

Paul Henry Again

I almost didn’t post about this, because everyone’s talking about it and surely everything I could come up with will have been covered off most thoroughly by other, wiser writers. But I decided I would anyway, to add my small gust to the storm of disapproval. And because once I’ve written about it I can stop thinking about it.

Breakfast TV panderer Paul Henry dug gleefully into the mire yesterday morning, with comments amounting to a claim that a major public figure wasn’t a proper New Zealander because he didn’t have the right colour skin or an appropriate name.

Henry has a history of provocation, and the line has always been “he says what people are thinking”. Previously he’s caused fury by ridiculing a female guest for her facial hair, calling Susan Boyle “retarded”, and saying that homosexuals are unnatural. This, however, is a whole new level of controversy, as Henry and TVNZ are belatedly realizing.

Henry has waded deep into an argument about what it means to be a New Zealander; it’s something that has been bubbling under in this country for years now, pretty much since our immigration laws relaxed in the late 80s. You see it in the fierce opposition to “special treatment” for Maori; you see it in the eyeroll-inducing campaign to nullify the census ethnicity question by writing in “New Zealander”; you see it in the rough treatment meted out to Asian immigrants. We are becoming a more diverse people, and the Pakeha majority isn’t entirely sure what it thinks about that.

But, while there is anxiety and argument, the public discourse has very clearly settled on criteria for being a New Zealander that is not about skin colour or the number of syllables in your surname. There is argument about whether a proper New Zealander is one who supports the NZ cricket team over that of their own country; about whether a proper New Zealander needs to be fluent in English; about whether a proper New Zealander can wear the hijab. There is no argument about whether you can be a New Zealander if you’re Nigerian, or Japanese, or Fijian-Indian. New Zealandness is open to everyone.

Paul Henry’s comments reveal a nasty truth: that for many people, this isn’t true. New Zealandness isn’t open to everyone. Public discourse positions New Zealandness as behavioural, and therefore egalitarian and in tune with our national mythology. Unrepresented in the public discourse is the sense of fear and resistance to a diverse New Zealand, to an increasingly multi-coloured population, to racial difference. These sentiments are not suitable for public forums, and are kept out of sight. Henry has voiced the unvoiceable, casting a shadow over the entire discussion about multicultural New Zealand. Is it really about sports team loyalty and headscarves? Or is it truthfully about skin colour?

The comeback on this will come from both sides of the political aisle, quite simply because there is no party in NZ parliament that is aligned with racism. (At the moment.) National and ACT, our right-wing voices, are both clearly supportive of diversity, and have both made significant efforts to involve ethnic communities in their activities, National with quite some success. Their views don’t allow for “special treatment” and so forth, but they are quite clear that the door is open to people of any colour with whatever funny-sounding surnames they like.

There is, however, a substantial rump of Kiwis who will nod along with Paul Henry, who will agree wholeheartedly with the initial TVNZ spin line of “Paul just says what we are all thinking”. (And I hope there’s some thunder and lightning in the corridors of TVNZ, sterilising the place of that horrid suggestion.) They are a concern. They are feeling left behind in a changing nation, and resentful of their shrinking space in the public discourse. Perhaps this furore might provide an opportunity to address them, to dig into what is driving their reflexive resistance, and find a way to communicate better about what New Zealand is becoming and how much, much more is gained than can possibly be lost. (The equivalent rump in the U.S. was captured by demagoguery to become the raging tea party movement – that couldn’t happen here, but the emotions at work are the same.)

To address this unpleasantness would take leadership. And so I turn to the real scandal here, that of our Prime Minister John Key grinning and shrugging off Henry’s comments as if they were a mildly off-colour joke. Even now Key refuses to condemn Henry. That is what makes me furious – not Henry’s comments and his smug non-apologies, which are par for the course for a media personality employed to be controversial and earning massive popularity as a result. Henry is there to say awful things. But John Key should be there to lead, to take hold of a situation and stand up for the fundamental principles of our nationhood. Instead he folded and enabled. This is not what we should expect from a Prime Minister. Aunty Helen would have torn out Henry’s beating heart and incinerated it with lasers from her eyes. (Of course, Key’s current counterpart Phil Goff has been utterly useless even in opposition.)

So I’m pleased to see at least a little bit of heat directed at Key over this. But, frankly, there should be more. Key deserves a rebuke from New Zealand, from his supporters as well as his foes. He should be held to a higher standard.

Online Stocktake

This weekend I got to turn a virtual acquaintance into a real-world one (heya Andrew) (also heya Phil) and it got me thinking about where I exist on the internet at the moment.

Obviously: From The Morgue, formerly part of the additiverich collective and now a member of the isprettyawesome crew. Here is for thinking out loud, and talking about media, politics, and things I’ve seen or read. Occasionally I try to be funny. I used to make an effort to blog every weekday, but those days are gone. Isolated personal blogs like this one are on the way out anyway.

And my livejournal, which is only rarely updated. LJ used to be a busy hub of activity but it has been on a long, slow fade for several years now, because isolated personal blogs are on the way out. I’m more self-indulgent on LJ, and will not hesitate to post self-promotion or be incomprehensible. I guess I see LJ as a more forgiving space, content-wise. (From The Morgue is also syndicated to LJ, don’t know who set that up but thanks.)

I’m mr_orgue on Twitter. I don’t tweet much, and when i do it’s mostly just to say “I’ve blogged”, but I reply to other people and re-tweet messages a fair bit. I don’t try to keep up, just drop in and read a bit from time to time. Twitter is a fun time. I’m a bit scared of what it’d be like with a smartphone, though; I only access Twitter from desktop at the moment, but I think it’d be a completely different social experience with constant mobile access.

And of course I’m on Facebook. Facebook is mostly for tracking events, seeing photos and saying happy birthday to people. I’m pretty capricious about accepting friend requests – some days I’ll approve some random friend-of-friend I don’t actually know, other days I’ll refuse someone I’ve met more than a few times. Generally, if I want to say happy birthday to you, I’ll happily be your facebook friend.

Those four sites cover probably 98% of my online presence (outside of RPG-related activity, which is a whole separate issue). I have legacy accounts on MySpace, and WAYN, and probably several other sites I can’t think of right now. And of course there’s my rarely-updated personal site, which I’ve had for over a decade, Apocalypse: A Kind of Revelatory Experience. I should probably let it pass into history, but I like it, and also it hosts the infamous Leon Is A God subsite.

Oh yeah! I’m also on Hoffspace, which is where I ironically celebrate David Hasselhoff. Join me!

Pigphone Linky

(The pigphone was the logo for a flat party we had in… 2001? It was a great logo of a phone that looked like a pig. I can’t find a digital version but my paper records are extensive, so hopefully it will be found.)

Taxonomy of rap names

London Review of Books reviews a book about the rise of creative writing programmes, and there is much thunder and lightning

From Dylan: the Edward Gorey house

Gator found Jim’s Pancakes – pancake art!

Male ensemble does Gaga:

Sesame Street madness. Beth found the Monsterpiece Theatre Twin Peaks parody, which I’d never actually seen:

And their recent riff on Tru Blood has been doing the rounds as well:

Dark Patterns: things on the web that are designed to trick you

The most powerful colours in the world

And finally… a complete rap album inspired by the West Coast Avengers, the lesser-known laid-back late-80s/early-90s alternative to the mainstream Avengers. Even Darkhawk gets a track.