Yesterday, went to dentist for first checkup in 3 years. He said “all good”. A dentist saying “all good” is one of life’s nicest, most reassuring things.
[happy to get the Wikileaks video off the top of the page, that thing upsets me some]
Last night went with the KnifeMan to see Talib and Jean Grae at the San Fran Bathhouse. It was the goofiest gig I’ve seen in a long time. Jean was a crack-up, losing her composure completely based on one girl’s wild dance moves and delivering some home truths about the danger of a weak-looking fist-in-the-air. Her set felt way too short, but then Kweli joined her on stage. Took him a couple of songs to get right, I felt, but the rest of the show was just fantastic. It was getting close to a three hour show by the time they called it, and the crowd stayed into it the whole time.
Some great hiphop through here these last few months. Keep it up Wellington!
Just over a week ago, a post I made about Wikileaks (lifted directly from Dylan Horrocks’ twitter feed) went ballistic and garnered nearly 100,000 sets of eyeballs in a day. The events in question mentioned an upcoming video release about murder in Iraq and a Pentagon cover-up.
The video has now been released. It’s circulating all over the place, and Scoop has a good overview, with the short-form (17-minute) video embedded.
Basic story: a U.S. military helicopter identifies a group of men in a street as targets, and shoots them down. When others arrive to evacuate the wounded, they too are shot down. I don’t recommend watching the video lightly – it’s intense and emotional, and the video-game chatter of the U.S. soldiers is hard to listen to. But I do think it’s important, and if you intend to form an opinion on this, you should try to get through it. Warning: children are injured in the attack.
There’s lots of discussion happening all over the ‘net about what the video shows, and whether the U.S. military personnel involved were right or wrong to designate the men as targets and shoot them, and whether they were right or wrong to do the same thing when more people arrived to help the wounded. A lot of this discussion concerns the rules of engagement in play at the time, and whether the men in question were reasonably seen as carrying weapons.
The weapons are, to me, of greatest interest. You can hear in the spotter’s (gunner’s?) commentary as he sees the men and sees guns that he believes this is a legitimate military target. Look again at how exactly this happens:
At 3 mins into the video, the leaked footage begins as the spotters identify a group of people standing together.
At 3 mins 20 seconds, Reuters photographer Namir Noor-Eldeen is in the centre of the frame, hoisting his camera. The spotter says “That’s a weapon.” (With those words, Namir and companions were condemned to death.)
At 3’37, the spotter reports: “Have individuals with weapons.” Note the plural – one weapon has become several, without obvious cause.
At 3’40, two other men come into frame, and they both are carrying weapons, AK-47s apparently. (These are, again, legal to carry here.) Spotter, on seeing the first of this pair: “He’s got a weapon too.” Then, after seeing the other: “Have five to six individuals with AK-47s.” Three identified weapons (one erroneously) have become five to six. They’ve seen enough. At 3’50, permission to fire is sought, and soon after is received.
At 4’10, a long camera piece is identified as an RPG. Note, permission to fire has already been received at this point.
There’s a well-known perceptual/cognitive phenomenon called confirmation bias. This says that we interpret what we are seeing in terms of what we expect to see. This video captures confirmation bias in action. A camera became a gun, then two others with guns became proof of an attack squad, then the camera again became an immediate threat. The pattern is clear: there is no way for the spotters in the helicopter to step out of this chain of perceptions.
This is not a trivial matter. I’m not trying to diminish these events by pointing at a cognitive bias as an excuse or rationale. No, to me this is exactly where the scandal is. Fire orders are being made on interpretations that do not correct for this extremely common and well-understood bias. Lives are being taken and the system that authorizes this fails to account for decades-old research (and anecdotal understanding that goes back hundreds of years.) Instead, the whole apparatus operates in precisely the opposite direction; once the action is taken, it must be justified. The evidence is massaged and re-interpreted to support the initial confirmation bias. A perceptual error becomes truth.
Now, the target identification issue isn’t the only troubling thing here, and it isn’t the focus of Wikileaks’ interest. The assault on unarmed men (and children!) attempting to evacuate the wounded is horrific. The Pentagon’s stonewalling of Reuters trying to get this tape is appalling. The disengaged chatter of the U.S. military is disturbing, if completely understandable.
Regardless of those issues, the confirmation bias explanation for what happens is all I can think about right now. I probably won’t come back to the rest. I don’t think I want to watch that video ever again.
This weekend had so much packed into it, but it all came out pretty well.
Went to Armageddon Pop Culture Expo with Eric. Every year I say I won’t go back next year, but they keep bringing over people who played the Doctor, and occasionally cool comics guests. This year, 1996 Doctor Paul McGann (Eric describes that) and comics team Mike & Laura Allred. I was wearing my only comic-book t-shirt, which features the meditative and romantic Concrete character by Paul Chadwick, and Mike & Laura complimented the shirt and we talked about what Paul was up to these days (answer: commercial work, mostly, though I see from his blog he’s started on a new Concrete piece). They signed my Wolverine of Fame, and I walked Mike over to the NZ comics table where Dylan Horrocks was lurking so they could meet.
Saw more of Dylan at my real highlight of the weekend, the NZ Comics Weekend, which was absolutely buzzing with creative energy. I think I’ll talk about that in a different post, even.
Apart from that, caught up with a bunch of people who all chose this weekend to come back to Wellington for a visit, got stuck into some packing, lined up some more work, watched the new Doctor Who, and did a few quiet things for my birthday. Really nice, overall.
Happy April Fools Holy Thursday linky. I was all keen to do an April Fools Pantheon of Plastic entry, following DavidR’s suggestion, but after far too long clicking through action figure custom galleries and flipping the pages of Tomart’s Encyclopedia & Price Guide to Action Figure Collectibles, I still hadn’t found any photos that felt like they could play. No doubt I’ll have a great idea as soon as I post this, but oh well.
Flatlander pointed at this interview and response with a young right-wing politico on the subject of Earth hour. It is hilarious, and we should all seize the rhetorical flourishes on display for future use. Everyone likes “I think my argument is so powerful that it’s not necessary to talk about it” but I am fond of “it fails on three fun-loving levels”, which must be an actual talking point for him because he repeats it in both interviews. Outstanding.
The Large Hadron Collider hasn’t destroyed the universe yet, but it did give us a Tweet that will be remembered long after Twitter has faded away.
Elyssa a.k.a. The Moon Whispers, late of Wgtn and now home in Italy, has released a bunch of free music, including a new track Tutto Intorno e Ombra. (You have to subscribe to her email list to get the download link.) From the site: “Elyssa writes enchanting dark ballads with evocative vocals and a storytelling slant. ”
From Rodger: Polka Face! Wunnerful.
Seen the Scarface School Play yet? As a hoax it was never gonna last more than five minutes, but as a piece of wacko guerilla pop-art, it’s something amazing.
Weird, the Weird Al biopic. Am I the only one who genuinely would love to see a Weird Al biopic? A doco would beeven better.
And a round-up of linky about Dylan, interviews at BoingBoing, newsarama and more. Tomorrow I’ll be going to the NZ Comics Weekend opening, and hopefully on Saturday too to see the Wgtn launch of the first NZ edition of Dylan’s classic work, Hicksville. Bookman Beattie writes about Hicksville here. Dylan is a lovely chap and a great creator, and is currently serializing new work free on his blog: hicksvillecomics.com
Sitting next to my computer for the last few months has been an issue of Cerebus, the long-running nearly indescribably series by Dave Sim. I picked up a stack of them in a ten-cent sale a decade ago and have finally been working through them. Sim was a champion of the comics form and provided a showcase for plenty of up-and-coming creators, and a back-up in this issue (#177) is by a woman named Nina Paley. She, I remembered instantly, had written and drawn some great funny strips for Dark Horse Presents back in the 90s (and indeed, Sim’s intro mentions Diana Schutz, editor at Dark Horse). What, I wondered, had become of her? Well, it turns out she made a movie: a full-length animated feature called Sita Sings the Blues. Roger Ebert gives it an extensive and glowing review here. Ebert:
“By this point, I’m hooked. I can’t stop now. I put on the DVD and start watching. I am enchanted. I am swept away. I am smiling from one end of the film to the other. It is astonishingly original. It brings together four entirely separate elements and combines them into a great whimsical chord. You might think my attention would flag while watching An animated version of the epic Indian tale of Ramayana set to the 1920’s jazz vocals of Annette Hanshaw. Quite the opposite. It quickens.”
It’s back in the circuit because it’s just been made available, free, under a Copyleft license. An interview with Paley at CBR tells the fascinating story. And you can watch the film here. I haven’t, yet, but I will, because it looks AMAZING. And now I can put that Cerebus issue away!